CV
Exhibitions
‘Metropolis’ Curated by Jacob Sirkin, Greatorex St., London, 2025
‘Alpine XP’ artist run fair, Plicnik Space Initiative, Reset Atelier, Brussels, 2025
‘Planned Obsolescence’ Curated by Chaney Manshu Diao and Juliusz Grabianski, Seager Gallery, London, 2025
‘Greenhouse’ Curated by Ben Raz and Jean Watt, Set, London, 2024
‘Log 2: NovoStruct Hard Hat Area’ Plicnik Space Initiative, London, 2024
‘Half Truths’, Curated by Vanessa Murrell, London, 2023
Troubled Water (Rea!), Lampo, Milan, 2023
OTO (RCA x LUX Moving Image), Fold, London, 2023
Artifice, (Ripped), The Bomb Factory , London, 2023
Babele (Curated by Caspar Giorgio Williams), Spazio Musa, Turin, 2023
Rea! Art Fair, Fabricca Del Vapore, Milan, 2022
Not Long But Very Good, Matt’s Gallery, London, 2021
Slade Degree Show, London, 2021
A Way to Break Through, online show, 2020
Melon Cauli, Carolines Garden’s Chapel, London, 2019
Themselves Warehouse Festival, Unit 8, Copeland park, London, 2019
Art Show, Safehouse 1, London, 2019
Boys Don’t Cry, Karma Sanctum, London, 2019
Boys Don’t Cry, Candid Arts Trust, London, 2018
Themselves: Group Show, Five Bells , London, 2018
Writing etc.
‘ZZZ’ (contribution to publication by Henry Galano and Gabriele Ciulli)
Worthwhile Unions #03 with Anna Clegg, Resonance Extra, 2023
Rea! Exhibiton Prize, Milan, 2022
Era Journal - Issue 15: ‘Up and Away’, 2022
Round Table Discusion: Emerging Technologies and Art, UCL Art Futures and Serpentine Gallery, 2021
Era Journal - Issue 14: ‘Get Real’, 2021
Thing 018: From the Drained Pool, Form IV, 2021
Collage, Or: A Fair Day’s Fiddle, Themselves Publication, 2020
Education
Slade School of Fine Art, UCL, BFA, 2021
Kingston University, Foundation, 2017
About
Tarzan Kingofthejungle (b.1998) lives and works in London.
He works across film, sculpture, performance and writing. His practice involves constructing scenes composed of borrowed elements—props, lines, symbols or characters—isolated and stripped of their original contexts (e.g. a discarded lantern, a lens flare, a soundtrack). He experiments with these fragments by dismantling, manipulating or rearranging them, to see how meaning emerges and shifts through narrative potential and residue.